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No One Left to Lie to (by Christopher Hitchens)

No One Left to Lie to Hitchens

“The acquittal of Clinton, and the forgiving by implication of his abuses of public power... has placed future crooked presidents in a strong position."

Title: No One Left to Lie to
Author: Christopher Hitchens
Pages:
338
Published by: Verso (1999)

Bill Clinton is a bad, bad man.

At least, that’s the impression one takes away from No One Left to Lie to.

Reading Hitchens’ account of the Clinton presidency, I’m reminded of the media coverage of President Trump’s impeachment, whose well-documented and heinous crimes against America are perceived to be unprecedented.

And yet reading No One Left to Lie to, Trump’s behaviour and abuse of public office seems, to the contrary, to be wholly precedented.

Clinton may not stand accused of provoking an insurrection, but his use of executive power to salvage personal reputation at the expense of respect to the electorate feels remarkably familiar to a 2020s reader.

Clinton’s Kryptonite

The central premise of No One Left to Lie to is Bill Clinton’s political triangulation and perceived dishonesty in the public eye.

Triangulation is a form of aloof centrism, claiming a tenuous moral high ground without any substantial grounding. It involves borrowing ideas from each political wing – not for the good of the nation, but more cynical reasons around political expediency.

It’s a revisionist take on the Democratic heyday of the 1990s from a journalist and writer who, much like his literary hero George Orwell, possessed that rare quality of eluding the binary boundaries of both the liberal Left and the conservative Right.

Christopher Hitchens defined himself as a leftist and a remnant of the international working class movement. Less swayed by binary political allegiance, Hitchens’ world views were shaped more by an internal moral compass – again, very much like Orwell.

'Hitchens was one of the very few people who could slash and burn you in print, then meet for drinks and talk in the true warmth of friendship, discussing a writer we both admired, garrulous to the very last. It was a sign of his essential decency that he didn’t make it personal.'

For example, Hitchens’ unwavering support for the Iraq War was a flashpoint between him and comrades on the Left, whilst his excoriating critiques of figures like the late Reverend Jerry Falwell drew the ire of the political right.

Of course, this didn’t make him infallible.

Is No One Left to Lie to a Reliable Text?

Hitchens is no stranger to polemical writing that challenges the reputation of seemingly untouchable public figures, such as Henry Kissinger and the late Princess Diana. He even branded Mother Teresa a ‘thieving, fanatical Albanian dwarf

Regardless of one’s views on Hitchens’ polemics, No One Left to Lie To was a bold book to write in 1999, considering the accusations levelled against President Clinton.

Openly accusing Clinton of rape on multiple occasions and including detailed witness accounts, Hitchens dismantles the carefully curated mask fostered by Clinton.

The stronger parts of No One Left to Lie to reside in the chapters dedicated to Clinton’s wielding of foreign policy. Hitchens argues that foreign policy under the Clinton administration was used both as a cudgel to flex US military supremacy and a shield to distract from criticism back home.

And with a number of sources close to the then-President, it’s a damning picture.

“By Tuesday, December 15, after Clinton’s last-ditch nonapology had “bombed” like all its predecessors, every headline had every waverer deciding for impeachment after all. On Wednesday afternoon, the president announced that Saddam Hussein was, shockingly enough, not complying with the UN inspectorate.

And the cruise missiles took wing again. Within hours, the House Republicans had met and, “furious and fractured,” according to the New York Times, had announced the postponement of the impeachment debate, due to begin on Thursday morning.”

The stronger parts of No One Left to Lie to reside in the chapters dedicated to Clinton’s wielding of foreign policy. Hitchens argues that foreign policy under the Clinton administration was used both as a cudgel to flex US military supremacy and a shield to distract from criticism back home.

And with a number of sources close to the then-President, it’s a damning picture.

Final Thoughts

Whilst Hitchens was a great writer and rhetorician, this was not ‘The Hitch’ at the peak of his powers. It’s overly wordy for such a brief text, and his prose lacks the wit and fluidity found in later books such as god is Not Great.

Regardless, No One Left to Lie To remains a powerful contrarian viewpoint and a sensational polemic against a much-loved former US President.

But to get the most out of this book, it’s imperative to leave political biases at the door and judge on the evidence contained within.

A must-read piece of political journalism.

Rated 4 out of 5

The Complete Guide to Book Festivals in Scotland

Book Festivals in Scotland
Book Festivals in Scotland

Scotland is home to a truly diverse group of book festivals, featuring hill-top reading groups, gaelic language sessions, and the infusion of culture with local poets and musicians.

From the world-renowned Edinburgh Book Fest to the more intimate St. Duthac Book and Arts Festival, far north in Tain, this collection of book festivals in Scotland truly offers something for everyone.

Got a festival recommendation not on this list? Post it in the comments and I’ll add it to this post.

Jump to a Festival (Expand)

Birnam Book Festival

Based alongside the beautiful Tay Forest Park and the River Tay, Birnam Book Festival is a relatively new event, having launched in 2018. With events for all ages, including workshops, discussions, author interviews, and live music.

Date: 26 — 27th October, 2024
Location: Birnam, Scotland
Events Calendar: https://www.birnambookfestival.co.uk/

Bookmark Blair

Blairgowrie’s Bookmark Blair is a community-focused book festival aiming to cover as many readers’ interests as possible, from prize winners to debut writers. Throughout the year, the organisers also collaborates with authors to engage with the local community.

Date: 5 — 6th October, 2024
Location: Blairgowrie, Scotland
Events Calendar: https://www.bookmarkblair.com/

Bloody Scotland Crime Writing Festival

Bloody Scotland is Scotland’s international crime writing festival. Based in Stirling, this book festival has established itself as one of the must-attend crime fiction gatherings in the calendar.

Date: 13 — 15th September, 2024
Location: Stirling, Scotland
Events Calendar: https://bloodyscotland.com/

Borders Book Festival

Melrose-based Borders Book Festival prides itself as one of the UK’s friendliest festivals. With local artisan food, live music, and a dollop of bookish merch stands, Borders is a festival in the truest sense of the word.

Date: 12 — 15th September, 2024
Location: Melrose, Scotland
Events Calendar: https://bordersbookfestival.org/

Boswell Book Festival

Inspired by Ayrshire biographer James Boswell, Boswell Book Festival claims to be the world’s only festival of biography and memoir. Running concurrently is a children’s festival, featuring leading authors, illustrators, and performers.

Date: 9 — 11th May, 2025
Location: Cumnock, Scotland
Events Calendar: https://www.boswellbookfestival.co.uk/

Edinburgh Book Festival

Edinburgh Book Festival is one of the UK’s (if not the world’s) biggest literary festivals, and certainly the most recognisable book festival in Scotland. Featuring prominent voices and inspiring new creatives for over 40 years, the festival is a truly global affair, always evolving with the times and bringing in new audiences across the creative arts spectrum.

Date: 10 — 25th August, 2024
Location: Edinburgh, Scotland
Events Calendar: https://www.edbookfest.co.uk/the-festival/whats-on

Mallaig Book Festival

The Mallaig Book Festival is a traditional festival, celebrating literature with author readings, workshops, and discussions. Set against the stunning backdrop of the Scottish Highlands, it fosters a vibrant community of book lovers and promotes both local and national literary talent.

Date: 8 — 10th November, 2024
Location: Mallaig, Scotland
Events Calendar: https://www.a-write-highland-hoolie.com/programme

Nairn Book and Arts Festival

Another stunning location, this time in the Moray Firth, Nairn Book and Arts Festival covers music, art, film, literature, and dance. It even has its own version of Edinburgh Fringe, plus a range of Gaelic language events. A truly authentic book festival and well worth attending.

Date: 31st August — 7th September, 2024
Location: Nairn, Scotland
Events Calendar: https://www.nairnfestival.co.uk/whats-on

Pentlands Book Festival

The Pentlands Book Festival, just outside of Edinburgh offers local author showcases, and interactive workshops. A more traditional literary festival, attendees can also expect to enjoy unique hilltop readings in the stunning Pentland Hills.

Date: TBC (Circa November, 2024)
Location: Pentland Hills, Scotland
Events Calendar: TBC

Portobello Book Festival

Portobello is a stone’s throw from Edinburgh and Leith. The book festival is run by local people, for local people. Tickets are usually free, and the festival is primarily a local interest gathering for the community. A seaside town, it’s a beautiful spot for a bookish gathering.

Date: 4 — 6th October 
Location: Portobello, Scotland
Events Calendar: TBC

St Duthac Book and Arts Festival

St Duthac Book and Arts Festival was born on the eve of COVID-19 (you can read more about its origins here), but has since gone from strength to strength. Based in Tain, in the very north of Scotland, the festival features author talks, art trails, and historic walks along the nearby peninsula.

Date: 4 — 6th October 
Location: Tain, Scotland
Events Calendar: https://www.stduthacbookfest.com/copy-of-arts-events

Ullapool Book Festival

Ullapool Book Festival had its finale in 2023, before making a seemingly unexpected comeback in 2024 with two events. Based in the stunning coastal village in the north of Scotland, this is a relatively small but warm and well-loved gathering.

Date: 22nd June + 7th September 
Location: Ullapool, Scotland
Events Calendar: https://www.ullapoolbookfestival.co.uk/

Wigtown Book Festival

The final event on our list, Wigtown Book Festival, is just south of the picturesque Galloway Forest Park in Wigtown, recognised as Scotland’s national book town. The 10-day festival has fostered what Scotland on Sunday calls a ‘real boutique feel’, and runs a range of community events all year round.

Date: 27th September — 6th October, 2024 
Location: Wigtown, Scotland
Events Calendar: https://www.wigtownbookfestival.com/whats-on

12 Bytes (by Jeanette Winterson)

12 Bytes Jeanette Winterson Social

“There’s a new kind of quasi-religious discourse forming, with its own followers, its creed, its orthodoxy, its heretics, its priests, its literature, its eschatological framework. Even its own Singularity. It’s AI.”

Title: 12 Bytes
Author: Jeanette Winterson
Pages:
368
Published by: Grove Press

ChatGPT, everyone’s favourite purveyor of bad poetry, was released in November 2022, with OpenAI’s generative AI tool altering the landscape of work for a number of industries. 

This of course extended to indie authors who, long-acquainted with having the odds stacked against them, found Kindle Unlimited flooded with bookish sewage overnight as a clutch of have-a-go writers and grifters took advantage. Fortunately, Amazon would eventually restrict them from only publishing a mere 3 books a day. That’ll teach them.

This brings us to 12 Bytes, a brilliant piece of non-fiction by witty wordsmith and all-round literary rockstar, Jeanette Winterson. Published as a series of topical essays, she guides the reader through key developments in tech.

And whilst it helps if the reader is familiar with AI, this is by no means mandatory – this is pure Winterson; informative and hilarious in equal measure.

Welcome to the metaverse

From sex robots and metaverse avatars, to transhumanist biotech such as Neuralink, the future is digital, whether you like it or not. 

And 12 Bytes offers a great insight into this from the perspective of a writer. Winterson speaks on the topic with a prescience, having immersed herself in the worlds of big tech, automation, and AI for a number of years.

In fact, her 2019 novel Frankissstein was a retelling of Mary Shelley’s famous gothic novel, with the monster less a physical manifestation and more a discussion on the ethics of AI, transhumanism, and cryonics.

Likewise, as generative AI develops in leaps and bounds, it poses a number of questions for society, including the future of creativity and employment. These are big, emotive topics with rival pro and anti-AI camps emerging in creative circles.

Binary opposition

Because our society thrives on binary opposition, the subject of AI has pitched tech evangelists against artists in public discourse.

Artists and publishers are (understandably) concerned that their work is being used to train AI tools, whilst the tech sector has to make the case that regulation (such as the EU’s AI Act) must be applied in calm and informed moderation rather than in a reactionary manner.

Fortunately, Winterson doesn’t buy into this adversarial discourse – engaging with the topic of artificial intelligence with, well, intelligence and nuance.

It’s worth noting that 12 Bytes was actually published in 2021, over a year prior to us mere mortals gaining access to generative AI tools. 

I asked Winterson at Manchester Lit Fest whether her thoughts had changed since the dawn of publicly available generative AI tools. 

Her answer? 

“Well, I have to be optimistic, because what’s the alternative?”

In 12 Bytes Winterson envisions a world where AI could help transcend human limitations and biases. Is this overly optimistic? Time will tell.

Womens’ erasure from tech - A tale as old as time

We live in a world of ‘tech bros’. Think Mark Zuckerberg, Elon Musk, and Sam Altman. 

Tech Bro Spirit Halloween Costume - Stuff Tech Bros Like
Source: StuffTechBrosLike

And yet Winterson drops a series of truth bombs throughout 12 Bytes. The forerunners to modern tech innovations such as AI and automation lie in the work done by women. 

12 Bytes analyses the history of tech, bringing the women responsible for our current advancements into the public consciousness. She pores over the work of Ada Lovelace in particular, taking jabs at the notion that tech is predominantly for men (a myth invariably propagated by men).

To be clear, this isn’t a polemical book – it’s just the facts. And because of this, 12 Bytes is important. It’s a chronicle of history that simply isn’t taught or discussed, arriving at a time in which artificial intelligence models are being trained en masse in a sector lacking in diversity.

And from a historical perspective, 12 Bytes is a fantastic chronicle of the erasure of womens’ roles in tech. Even those familiar with the subject will find some of the passages astounding.

Final Thoughts

12 Bytes is an excellent piece of non-fiction that manages to inform and entertain in equal measure. 

At times Winterson, a sharp thinker, falls foul of the ‘looking at screens is inherently bad for us’ trope when discussing technology, which doesn’t hold up under any meaningful scrutiny.

Still, 12 Bytes is a witty and highly competent analysis of the tech sector’s history, and a must-read for anyone curious about the past, present, and future of the industry.

Rated 4 out of 5

The Dark Side of the Sky (by Francesco Dmitri)

Dark Side of the Sky Book Review

‘Our whole life — what we believe, what we do — hinges on whatever answer we give. What do we live for?

Since before we are born, there is a whole world deciding for us [...] Making laws for us to follow and inflicting punishments if we dare to differ.’

Title: The Dark Side of the Sky
Author: Francesco Dmitri
Pages:
355
Published by: Titan Books

As the dark of evening gathers and the fire crackles, the Open Feast awaits you and your fellow guests.

You gather around the fire, close your eyes, and hum in unison with your misfits-in-arms. The hubbub builds until it reaches its zenith, and you sense an otherworldly presence as the known world melts away.

This is The Dark Side of the Sky, a marvellous piece of contemporary magic realism from Francesco Dmitri, author of Never the Wind and The Book of Hidden Things.

It’s a thrilling tale of belonging, morality, and a reexamination of the social contract we all unwittingly sign upon birth.

What is The Dark Side of the Sky about?

Dmitri’s latest novel follows The Bastion, a spiritualist collective living in relative isolation on a reserve in Puglia, south Italy.

Once a year, the Bastion extends an exclusive invitation to the ‘Open Feast,’ a secretive cultural retreat for the curious. The Feast’s visitors, all with divergent life experiences, arrive for different reasons.

These include Zoey Lee, CEO of Soul Journey — a mind, body, and spirit festival — who is keen to check out what competitors in the sector are doing. Charlie, a young professional French woman, looks for answers following a recent traumatic event. Meanwhile, Mikka, a roving hippie with a penchant for hard drugs, seeks a fraternal home.

The Dark Side of the Sky follows the lives of Open Feast participants from their humdrum day-to-day lives, through to the more exotic, mind-bending nights by the campfire. Told from multiple perspectives, Dmitri spins a truly brilliant yarn with an equally solid cast of characters.

Nuanced and morally complex

Every generation, the media—invariably right-leaning—selects a group of people it decides to ostracise.

Whether it’s The Catcher in the Rye poisoning the youth of its time, the wealth of moral panics around comic books, or sinister emo bands ‘cults’ corrupting our children, history isn’t short of cultural scapegoats.

But there’s a common thread that binds these incidents. A new or ‘alternative’ form of art emerges, prompting the media to run a handful of shock-jock stories on the alleged effects it has on the younger generation.

On the face of it, The Bastion is an ideal target. They’re young, hostile to social norms, and believe that they’re going to save the world. At best, it appears naive — a target ripe for ridicule — and at worst, a dangerous inculcation of Messianic dogma.

There’s a risk that a novel like this lapses into straightforward binaries of good versus evil, old versus young, and progressive versus regressive, with our outsiders struggling against a system rigged against them.

However, The Dark Side of the Sky is a delightfully nuanced and morally complex novel that blurs the boundary of cult and community in a fascinating way, riffing on this ambiguity to disorientate the reader.

Final Thoughts

The Dark Side of the Sky is peak magic realism, managing to capture that elusive balance of real-world relatability and implied wonder that masters of the genre exhibit.

With beautiful, evocative, (and sometimes brutal) writing, Dmitri’s novel captures the magic of the Open Feast with great success. The writing style is ‘literary’ without being too high-minded, and accessible without being too simplistic.

The setting of Puglia does feel frustratingly underutilised — the Open Feast could, conceivably, have been held anywhere — but it doesn’t detract from an excellent tale and may even help reach a wider audience.

In any case, The Dark Side of the Sky is a genuine page-turner that will generate lots of discussion and debate, both at book clubs and online. I’ll certainly be checking out Dmitri’s back catalogue after this one.

Rated 4 out of 5

Luckenbooth (by Jenni Fagan)

Luckenbooth By Jenni Fagan

“There is cheering out on the street. There is dancing. People meet and fall in love. Scuffles break out. They drink far too much. All of life is happening.”

Title: Luckenbooth
Author: Jenni Fagan
Pages:
338
Published by: Windmill Books (Imprint of Penguin, 2021)

In Jenni Fagan’s Luckenbooth, we follow the often squalid, sometimes vivacious lives (and deaths) of its residents.

Decades pass, people come and go, but the curses of dead women remain, echoing through the cold halls and dank stairwells of 10 Luckenbooth Close.

And much like Fagan’s novella Hex, Luckenbooth is a macabre but powerful piece of writing.

A darker shade of Edinburgh

Edinburgh is a magical place, but like all capital cities, there’s a darker underbelly that most are not privy to. 

Fagan’s interpretation of Edinburgh in Luckenbooth is the antithesis to the tourist board presentation. The novel exposes the reader to political corruption, malicious landlords, extreme poverty, and ingrained misogyny. All the things that polite society is aware of but tends to avert its gaze from. 

Luckenbooth is therefore a seething critique of society’s failings. And whilst the novel lacks subtlety at times, with each chapter veering into a different injustice, this feels intentional.

Fagan drags the reader kicking and screaming from the comfort of fiction back into the stark reality of social issues in our own world, only to pull them back in with slick, beautiful prose.

Luckenbooth Close as architectural horror

10 Luckenbooth Close is a place poisoned by the people within and the world without – and throughout the novel, the building morphs and buckles in grotesque ways. 

It’s a dying building, with the spirits of its violent past clinging to the veil between life and death, haunting its residents.

Highly visual, Fagan’s depictions of 10 Luckenbooth Close elicit creation in the mind of the reader. This is especially powerful in latter parts of the novel where the once-packed building stands derelict and (almost) abandoned.

Byam Shaw, Public domain, via Wikimedia Commons

There is a power to abandoned places – in the absence of humanity, they take on new forms and natural life takes over, which Cal Flyn’s excellent Islands of Abandonment explores with real-world locations.

A form of architectural horror, Poe-esque in execution, it’s a memorable setting that will haunt the mind of its readers long after the final page is turned.

Final Thoughts

Is Luckenbooth worth reading? Great pieces of literary fiction unlock the reader’s imagination, transporting them to wild and wicked places they’ve never experienced before. And Luckenbooth is one of those books – if you give it time. 

It’s a bleak affair and not all readers will enjoy this relentlessly dark interpretation of Scotland’s capital. However, Jenni Fagan is a wonderful writer with a marvellous way with words – and it’s a compelling tale for those willing to darken the door of 10 Luckenbooth Close.

If you’re in any doubt, try reading Hex first – it’s a shorter book that introduces you to the writer’s style. But, if you’re a socially-conscious reader with a fascination towards the gothic, you’ll absolutely love this one.

Rated 4 out of 5

How you can support the future of Tales from Absurdia

How to support Tales from Absurdia
How to support Tales from Absurdia

Since the beginning of Tales from Absurdia, I’ve sworn not to run ads. This will not change. After all, I am but one man in a sea of equally deserving book bloggers

So far, I’ve been privileged enough to be able to self-fund this platform. I’m mindful not everyone has that liberty and I’m thankful to those of you who frequent this relatively small speck of literary criticism on the web.

However, I am making some changes. Here are a few ways you can support the blog and support independent literary criticism.

Buy me a coffee ☕️

Firstly, I have launched a KoFi account. For those unfamiliar with KoFi, it’s basically a tip jar for online creators. There’s less commitment required than with a platform like Patreon, and it’s a nice way to tip a coin for your Witcher / content creator.

You’ll see a ‘support me’ banner in the bottom left-hand corner of the site, where you can donate the equivalent of a coffee, directly from the blog.  

Click affiliate links 🔗

I will be also making more of a converted effort to roll out affiliate links for all my reviews across Absurdia, and the occasional blog.

So, if you’re curious about a book or want to buy it off the back of a review, please do click through one of my affiliate links.

This has zero impact on your experience but it will kick a few pennies my way if you buy a book via that link.

Direct sponsorship 📚

Finally, I will be opening up sponsorship opportunities for my UK Book Festival Calendar

The Book Festival Calendar is a serious driver of traffic for the blog, with thousands of visitors a month. But I’m super proud that it is also sending a good amount of traffic to book festivals too! 

Because of this, I’ve since had requests from event managers asking if I allow sponsored posts – and Oxford Literary Fest kindly offered me a press ticket!

Given the page’s popularity, I would now like to open up the opportunity for festivals and indie publishers to promote themselves with greater visibility.

I’m working on a press kit as we speak, so watch this space.

Why now?

Well, it’s for a few reasons.

When I first started Tales from Absurdia, I had zero dependents and an okay amount of disposable income. 

It began as a COVID project designed to help improve my digital marketing skills whilst furloughed. Between that and my writing reviews over at Goodreads and sometimes in a journal, a book blog seemed the natural fit. I’d long been an admirer of bloggers like Amy’s Bookshelf and others who have since left the blogosphere.

Fast-forward four years (FOUR!) and I’m still here, writing long-form book reviews and loving it. But it’s starting to add up.

For transparency, hosting alone now costs me over £200 a year up front. I could keep switching providers and benefiting from the introductory deals, but having to re-do my hosting every year is both a hassle and highly time-consuming. It’s also a risk to the SEO value I’ve built up over the years. As a parent who works full-time, finding time to blog is challenging enough. 

But as my traffic increases, so do costs. And frankly, I just need to pull my finger out and monetise some elements of the blog.

How can I help?

All I’d ask is that if you’ve ever enjoyed reading my content here, please consider donating the cost of a coffee into my KoFi. 

(Just a one-off btw – I’m not crowdfunding my writing).

Still, shares, likes, comments, and backlinks make the biggest impact to the visibility of Tales from Absurdia online. Many thanks to those who have engaged so far – you’re the best.

And if you’re an event manager or an indie publisher seeking to sponsor the blog, please do reach out to me at hello@talesfromabsurdia.com.

All the best,

John
Tales from Absurdia

Five things I learned at Oxford Literary Festival

Five things I learned at Oxford Literary Festival
Five things I learned at Oxford Literary Festival

Five things I learned at Oxford Literary Festival

Oxford is revered globally – and for good reason. The architecture is stunning, from college spires to the iconic Sheldonian Theatre.

And with famous alumni from J.R.R. Tolkien and CS Lewis, to Monica Ali and Jeanette Winterson, Oxford University has a history of producing impressive writers.

Suffice to say, Oxford Literary Festival is a must-visit event in the book festival calendar for bookish audiences.

So, it was a privilege to be invited to the 2024 edition of the festival. It’s especially great to see bloggers and alternative media being treated as equals with the more established print journalism.

In any case, here are my thoughts and experiences of a bookish day in Oxford.

Think Oxford Literature Festival is just a sit-down affair, being talked at by speakers and panels? Think again.

Sure, there are a bunch of talks from writers, politicians, journalists promoting their latest book — many of which are hugely insightful. But you can also attend workshops, library tours, creative writing courses, debates, and much more!

I particularly appreciate that they’ve invited footballer turned pundit Nedum Onuoha to talk about racism in football, and life on and off the pitch.

Nedum is a really intelligent, charismatic guy, with experience up and down the UK’s football leagues, and his appearance at Oxford Literary Festival is a great way to appeal to the cross-section of football fans.

I have a theory — one I can’t quite substantiate — but a theory nonetheless, that the phrase ‘literary festival’ puts some people off, including bookish people.

Literary, especially in the context of the reductive debates around ‘literary’ fiction vs ‘genre’ fiction, carries a certain connotation. And there are a whole generation of readers who create bookish content online, whether it’s fellow bloggers, bookstagrammers, booktubers, or booktokers — but so few of them create content around literary festivals.

My own early experiences of attending book events are tinctured with anxiety around belonging. Was I literary enough? Would everyone there know each other? Was there a certain etiquette I wasn’t clued into?

All of it was unfounded — and this was true of the Oxford Literary Festival too.

If you’re interested, or even mildly curious, literary festivals are for you. You’re actually the intended audience! And as I’ve previously mentioned, it’s not all ‘literary’. There’s plenty of room for book readers of all preferences.

I spoke to the organisers of Oxford Literary Festival whilst I was there, who explained that the event is always scheduled to coincide when the students aren’t in term time.

This is likely for a number of reasons, from allowing them the space to study to logistical reasons around getting round the city.

I’m bringing this up because when I arrived, on a cool Sunday morning out of term time, I wasn’t strictly sure how busy it would be. I was pleasantly surprised that Oxford was packed full of visitors, with people spilling out of cafés.

Whether it’s Knoops, right next to Blackwells and Exeter College, or espresso bar Jericho Coffee Traders, Oxford has some seriously great options for a brew.

Online book events are great — especially if it’s an author you love but can’t make it in person (let’s face it, UK travel is expensive and Zoom is convenient).

But they’re not the real thing. Not even close. In person book events engage the senses — especially in a place like Oxford’s Sheldonian Theatre. The sights and sounds, from murals and paintings to echoes of footsteps on flagstone and the din of audience chatter, it’s just… real.

And post-lockdown, these things many of us took for granted just seem more valuable now.

Another perk of in-person events is direct access to the speakers you’re going to see.

Want to ask them a question? There’s invariably a microphone that goes round, and you can look your favourite writer in the whites of their eyes as you ask them something truly meaningful. That’s priceless.

Plus, after the event, speakers tend to hang around for a combination of chatter and book signings.

Unlike bookshop book signing events, where you’re ushered through a queue like it’s a production line, Oxford Literature Festival just feels more laid back, more accessible. The event organisers have done a great job with this.

If you’re reading this before 24th March, 2024 – there are still loads of events left to attend, so do check out the calendar and see what’s on at Oxford Literature Festival.

But even if you’re reading after the event has finished, it’s still worth checking out who attended this year, as it may provide some indicators on  2025’s attendees.

Is Oxford Literature Festival worth visiting? Absolutely. I’ll definitely be going again next year! 📚

Christ on a Bike (by Orla Owen)

Christ on a Bike Book Review
Christ on a Bike Book Review Pin

"Cerys receives an unexpected inheritance but there are rules attached. Three simple rules that must be followed..."

Title: Christ on a Bike
Author: Orla Owen
Pages:
260
Published by: Bluemoose Books (2024)

What would you do if you inherited a significant fortune from a total stranger? How about if you were legally unable to share it with anyone else?

These are the questions that Cerys, the meek and humble protagonist of Christ on a Bike, must wrangle with.

Routinely unnerving, each chapter becomes progressively more uncomfortable as the source of the inheritance comes into question. In fact, Orla Owen’s third novel goes to some startlingly dark places.

It’s a compelling setup, and Christ on a Bike duly delivers dollops of payoffs. This is a brilliant novel – and one that would make for an equally brilliant TV drama.

The perils of greed

Speaking of television, the BBC once ran a TV drama called The Syndicate. This was about friends and families winning big on the lottery and how extreme changes in personal wealth can alter people in unexpected ways.

Owen takes this a step further, with the wealth possessing a uniquely selfish legal agreement.

There are rules attached, one of which is that Cerys cannot share her wealth with another soul under any circumstances. Her finances are audited by a specially-selected financial adviser, and the keepers of the estate have an uncanny ability to sniff out non-compliance.

It’s particularly pertinent that Christ on a Bike is set to release in the midst of an international cost of living crisis. From a readerly point of view, this context has a huge impact on how the novel is read. 

As Cerys’ lifestyle becomes increasingly lavish, with decadent details around the gorging of luxury truffles, and frivolous purchases of expensive branded soap and silky bed sheets, it makes for a physically nauseating read. 

This isn’t a criticism. To the contrary, it’s a remarkable achievement, eliciting a physical sensation of revulsion towards glutton via the medium of print. 

Meanwhile, Cerys’s sister Seren struggles to run a family home and cannot even dream of the excess wealth her sister has inherited by chance. 

And whilst Cerys is a more empathetic individual, Seren is more volatile. The money amplifies these character traits, and the disparity between the two creates an uncomfortable cocktail of guilt and envy.

Narrative & characters

As a writer, Owen positions herself as one who “focuses on the dark and macabre side of family life, the parts that go on behind closed doors.” And never is this more true than in Christ on a Bike, with tension around Cerys’s inheritance poisoning the relationships with her sister.

But the joy with this book is the incongruity between the subject matter and Owen’s own writing style. Her prose possesses a welcoming, approachable whimsy that captures the everyday in a genuinely satisfying manner; not unlike another Bluemoose author, Rónán Hession.

Between a mysterious recurring figure in Cerys’s new life and the feeling she’s being watched, Christ on a Bike retains a tense discomfort throughout. After all, what are the consequences of breaking this agreement? Can she back out of it? What would happen if she tried?

And it’s this dissonance between Owen’s affable style and the macabre narrative that unsettles the reader.

Owen’s novel broaches these questions – plus a number of moral quandaries befitting the biblical theme. And it’s a lot of fun.

Conclusion

Christ on a Bike is another feather in the proverbial cap of Bluemoose Books, and of Owen herself.

Each chapter has been crafted with a finesse that characterises the type of novel that Bluemoose Books publishes.

It’s clean, lean writing that never prevaricates or wastes the reader’s time. As I noted in my review of Heidi James’s The Sound Mirror, it’s clear that the team at Bluemoose have some remarkable editors on staff.

Owen is a fantastic writer too, which makes it easy to recommend Christ on a Bike to almost anyone. This is a novel that’s well paced and contains a darkly compelling narrative, with a divine writing style.

Rated 5 out of 5

Top Book Bloggers to Follow in 2024

Top Book Bloggers and Influencers to follow in 2024
Top Book Bloggers and Influencers to follow in 2024

Blogging is still a hugely popular medium in 2023, with 77% of internet users reading blog posts on a regular basis. And book blogging is no exception.

Social media communities such as BookTok, Bookstagram, and BookTube have given the publishing industry a much-needed shot in the arm.

And whilst some see this success as a threat to conventional book blogging, I’d argue that it’s actually revitalised the bookish content creation landscape – including blogging.

So, to celebrate all aspects of bookish culture, I’d featured some of the best bookish content creators you should be following in 2023.

Book Bloggers

Pages Unbound is easily one of the best book blogs on the internet, with a diverse mix of classical literature and YA fiction.

Briana & Krysta are amazing at creating (and promoting) their bookish content – if I’m ever half as successful as them, I’d be thrilled.

Rebbie Reviews is an absolute star. Again, a really fine book blogger. She takes part in The Write Reads book tour circuit fairly frequently, so you can guarantee you’ll find some interesting independently published books on her blog.

She also brought my attention to a really interesting used book scheme that is promoting literacy in the UK, whilst reducing waste.

Alex @ Spells & Spaceships has cornered the SFF book blogging game like an absolute pro.

His interviews with authors are always interesting, and his famed #Norsevember month of Norse-based content is really impressive.

Little Bird Book Blog has captured a really neat aesthetic; it’s approachable and captures what Rosie, the blogger, is all about.

She has a very conversational writing style, which brings you closer to the writing itself. I really enjoy that aspect of her blogging.

Cozy with Books once posted 100 blog posts in 100 days. That’s how seriously she takes blogging. Her dedication is matched equally by her quality of content.

Plus, Esther’s just a really flipping nice person.

We don’t typically read the same books, but that’s partly why I enjoy her blog so much – it exposes me to other types of writing.

Mackenzie @ Lit Lemon Books is brilliant. She posts regular, diverse book-related content – as well as some fun ‘beyond bookish’ posts including her favourite scary movies

Interestingly, she also challenged herself to ‘read for free’ back in 2022, by supporting local libraries. For many of us, the idea of not buying new books for an entire year is virtually impossible, so do check in and see how she’s doing!

As you can perhaps take away from the name, Out of This World SFF is a blog geared towards fantasy and science fiction novels.

However, this is a blog that focuses on new and upcoming books from less-known presses and independently published fiction. Nick, who runs the blog, also publishes a variety of content outside of reviews, including book tour stops, cover reveals, and author interviews.

Because of this approach to blogging, readers of Out of This World SFF should expect to find fresh, exciting new writing in the sci-fi and fantasy genres.

Celeste is a fine book blogger who runs A Literary Escape –  a book blog that focuses primarily on fantasy fiction. However, she also publishes the occasional science fiction and non-fiction review (including high-profile release, Spare).

Reviews on A Literary Escape adopt a more conversational tone, which is super approachable, digestible, and actually feels very personal to the reader. Reviews provoke conversation, which is why Celeste has a healthy community of regular commenters.

Definitely worth checking out.

Jennie @ The Redhead Notes positions herself as a blogger who empowers authors by giving them a platform online.

As such, she features a lot of guest posts on a variety of topics. from spotlighting  indie publishers to the more quirky articles such as a guide to tea-drinking

It’s a unique corner of the internet, and the sheer variety of content on offer makes The Redhead Notes a book blog that comes highly recommended.

Bex is one of the funniest, most authentic people on Twitter – and a super passionate blogger. After all, she’s focused on ‘books, more books, and nothing but the books’!

If you’re not following Bex, you’re missing out big time.

BookTubers

Beth of BooksNest has been blogging at booksnest.co.uk for a few years now, but really found a voice and presence on YouTube.

Recently she’s pivoted towards travel-based vlogs, but high-quality bookish content remains at the heart of her channel.

 

Ashleigh at A Frolic Through Fiction is pretty prolific bookish content creator across both Bookstagram and BookTube.

And with a cozy cottagecore vibe and aesthetic, A Frolic Through Fiction videos always come with exceptional production value.

From witchy books recommendations for your TBR, through to bullet journal planning, and even immersive ASMR videos – A Frolic Through Fiction is a BookTube channel with some incredible content.

Chelsea, aka The Not So Secret Bookaholic, is a BookTuber who focuses primarily on TBR recommendations, book hauls, and weekly reading vlogs.

Using less stylisation and filters than other BookTubers, she keeps her content lean, clean, and super authentic. 

It’s this authenticity and approachable screen presence that makes The Not So Secret Bookaholic channel such a great channel to tune into on a weekly basis!

Got any bloggers you want to give a shout out to? Post a link to their site below!