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Sad Little Men by Richard Beard

Sad Little Men By Richard Beard

"All anglophone private schools exist in the shadow of the institutions that influenced their founding. They replicate the segregation and social exceptionalism reserved for superior beings destined to lead."

Title: Sad Little Men
Author: Richard Beard
Pages:
278
Published by: Harvill Secker (2021)

 

It’s 2021 and the UK government is embroiled in scandal.

Boris Johnson has to front up to parliament and apologise for partygate — a series of parties that took place at the height of the COVID-19 lockdowns — but appears unwilling to do so.

Remarkably, this will not bring his government down. That chapter, featuring a certain ‘Pincher by name, pincher by nature’ will unfold later.

But his bluster, deflection, and obfuscation reveals a naked exceptionalism about men like Johnson that will define his, and many others’, legacies.

This is where Richard Beard’s Sad Little Men picks up, promising an exploration of the origins behind the UK’s political leaders for the past century.

Sad Little Men
An Overview

“At an English boarding school [...] the world they enter is enclosed and has much in common with the asylum at Bethesda, Maryland, where [Erving] Goffman did most of his research”

Sad Little Men makes the case that the culture of boarding schools produces highly flawed individuals. Beard, who attended boarding school at the same time as Boris Johnson and David Cameron, though not at the same institution, chronicles UK private school life throughout the ages, adding his own experiences throughout.

Lacking in empathy — and by extension the necessary qualities for a role in politics — Beard builds a picture of emotional deprivation and strident exceptionalism.

Ultimately, this damage trickles down to the electorate through bad policymaking and toxic rhetoric.

A word on the audiobook version. It’s exceptional, and arguably the best way to experience the book. The narrator, John Sackville, delivers a performance that’s well spoken in the manner of an old Radley College boy, but also quietly vulnerable with trauma leaking into the pronunciation of every word.

Sad little men and the fallout from ‘boarding school syndrome’

Plenty has been written about ‘boarding school syndrome,’ and even more research into attachment theory and its role in separation anxiety.

It’s in this vein that Beard questions how healthy it is to remove a young boy from his family home, to instead be raised by a surrogate parent such as a matron or schoolmaster — especially under the guise of it being ‘good for you’.

And boarding schools as a hotbed of extraordinary social privilege with crippling emotional deprivation, is Beard’s core thesis.

Private schools, declassified

Good old ‘regular’ private schools do not escape Beard’s condemnation either.

He argues that Eton, Winchester, Radley, and Harrow are simply the blueprints of success for every other private school in the land.

These schools exist in their own space and time, Beard argues, retaining many of the cultural and social-economic quirks and antics of previous decades.

On the one-hand, this could be seen as a sweeping generalisation. However, it’s hard to deny the evidence presented. On numerous occasions, Beard consults diary entries of famous alumni, including Orwell and Churchill, and points out the extraordinary similarities in culture across the decades.

These include the glorification of war, the ‘banter’, and the language used. The ‘tuck shop’ features — where young chaps can get their sweets — as does ‘prep’ time after school. 

Any reluctant private school attendee will recognise at least a handful of these.

Conclusion

Sad Little Men is unlikely to change the hearts and minds of the reader who has entrenched views on private schools.

Those who are in favour of private schools may — unkindly in my view — deride the book as a hit job from a disgruntled ‘old boy’. Meanwhile, readers with preconceived notions will likely find their prejudices bolstered by Beard’s book.

That’s not a criticism of Beard’s book, but more a reflection on our own time, where entrenched ‘sides’ and binary opposition thrive in the absence of nuance.

Regardless, Sad Little Men is at its best as an insightful look into the workings of private schools past and present — and a crucial intervention into the public conversation on the UK education system.

Rated 4 out of 5

No One Left to Lie to (by Christopher Hitchens)

No One Left to Lie to Hitchens

“The acquittal of Clinton, and the forgiving by implication of his abuses of public power... has placed future crooked presidents in a strong position."

Title: No One Left to Lie to
Author: Christopher Hitchens
Pages:
338
Published by: Verso (1999)

Bill Clinton is a bad, bad man.

At least, that’s the impression one takes away from No One Left to Lie to.

Reading Hitchens’ account of the Clinton presidency, I’m reminded of the media coverage of President Trump’s impeachment, whose well-documented and heinous crimes against America are perceived to be unprecedented.

And yet reading No One Left to Lie to, Trump’s behaviour and abuse of public office seems, to the contrary, to be wholly precedented.

Clinton may not stand accused of provoking an insurrection, but his use of executive power to salvage personal reputation at the expense of respect to the electorate feels remarkably familiar to a 2020s reader.

Clinton’s Kryptonite

The central premise of No One Left to Lie to is Bill Clinton’s political triangulation and perceived dishonesty in the public eye.

Triangulation is a form of aloof centrism, claiming a tenuous moral high ground without any substantial grounding. It involves borrowing ideas from each political wing – not for the good of the nation, but more cynical reasons around political expediency.

It’s a revisionist take on the Democratic heyday of the 1990s from a journalist and writer who, much like his literary hero George Orwell, possessed that rare quality of eluding the binary boundaries of both the liberal Left and the conservative Right.

Christopher Hitchens defined himself as a leftist and a remnant of the international working class movement. Less swayed by binary political allegiance, Hitchens’ world views were shaped more by an internal moral compass – again, very much like Orwell.

'Hitchens was one of the very few people who could slash and burn you in print, then meet for drinks and talk in the true warmth of friendship, discussing a writer we both admired, garrulous to the very last. It was a sign of his essential decency that he didn’t make it personal.'

For example, Hitchens’ unwavering support for the Iraq War was a flashpoint between him and comrades on the Left, whilst his excoriating critiques of figures like the late Reverend Jerry Falwell drew the ire of the political right.

Of course, this didn’t make him infallible.

Is No One Left to Lie to a Reliable Text?

Hitchens is no stranger to polemical writing that challenges the reputation of seemingly untouchable public figures, such as Henry Kissinger and the late Princess Diana. He even branded Mother Teresa a ‘thieving, fanatical Albanian dwarf

Regardless of one’s views on Hitchens’ polemics, No One Left to Lie To was a bold book to write in 1999, considering the accusations levelled against President Clinton.

Openly accusing Clinton of rape on multiple occasions and including detailed witness accounts, Hitchens dismantles the carefully curated mask fostered by Clinton.

The stronger parts of No One Left to Lie to reside in the chapters dedicated to Clinton’s wielding of foreign policy. Hitchens argues that foreign policy under the Clinton administration was used both as a cudgel to flex US military supremacy and a shield to distract from criticism back home.

And with a number of sources close to the then-President, it’s a damning picture.

“By Tuesday, December 15, after Clinton’s last-ditch nonapology had “bombed” like all its predecessors, every headline had every waverer deciding for impeachment after all. On Wednesday afternoon, the president announced that Saddam Hussein was, shockingly enough, not complying with the UN inspectorate.

And the cruise missiles took wing again. Within hours, the House Republicans had met and, “furious and fractured,” according to the New York Times, had announced the postponement of the impeachment debate, due to begin on Thursday morning.”

The stronger parts of No One Left to Lie to reside in the chapters dedicated to Clinton’s wielding of foreign policy. Hitchens argues that foreign policy under the Clinton administration was used both as a cudgel to flex US military supremacy and a shield to distract from criticism back home.

And with a number of sources close to the then-President, it’s a damning picture.

Final Thoughts

Whilst Hitchens was a great writer and rhetorician, this was not ‘The Hitch’ at the peak of his powers. It’s overly wordy for such a brief text, and his prose lacks the wit and fluidity found in later books such as god is Not Great.

Regardless, No One Left to Lie To remains a powerful contrarian viewpoint and a sensational polemic against a much-loved former US President.

But to get the most out of this book, it’s imperative to leave political biases at the door and judge on the evidence contained within.

A must-read piece of political journalism.

Rated 4 out of 5

The Dark Side of the Sky (by Francesco Dmitri)

Dark Side of the Sky Book Review

‘Our whole life — what we believe, what we do — hinges on whatever answer we give. What do we live for?

Since before we are born, there is a whole world deciding for us [...] Making laws for us to follow and inflicting punishments if we dare to differ.’

Title: The Dark Side of the Sky
Author: Francesco Dmitri
Pages:
355
Published by: Titan Books

As the dark of evening gathers and the fire crackles, the Open Feast awaits you and your fellow guests.

You gather around the fire, close your eyes, and hum in unison with your misfits-in-arms. The hubbub builds until it reaches its zenith, and you sense an otherworldly presence as the known world melts away.

This is The Dark Side of the Sky, a marvellous piece of contemporary magic realism from Francesco Dmitri, author of Never the Wind and The Book of Hidden Things.

It’s a thrilling tale of belonging, morality, and a reexamination of the social contract we all unwittingly sign upon birth.

What is The Dark Side of the Sky about?

Dmitri’s latest novel follows The Bastion, a spiritualist collective living in relative isolation on a reserve in Puglia, south Italy.

Once a year, the Bastion extends an exclusive invitation to the ‘Open Feast,’ a secretive cultural retreat for the curious. The Feast’s visitors, all with divergent life experiences, arrive for different reasons.

These include Zoey Lee, CEO of Soul Journey — a mind, body, and spirit festival — who is keen to check out what competitors in the sector are doing. Charlie, a young professional French woman, looks for answers following a recent traumatic event. Meanwhile, Mikka, a roving hippie with a penchant for hard drugs, seeks a fraternal home.

The Dark Side of the Sky follows the lives of Open Feast participants from their humdrum day-to-day lives, through to the more exotic, mind-bending nights by the campfire. Told from multiple perspectives, Dmitri spins a truly brilliant yarn with an equally solid cast of characters.

Nuanced and morally complex

Every generation, the media—invariably right-leaning—selects a group of people it decides to ostracise.

Whether it’s The Catcher in the Rye poisoning the youth of its time, the wealth of moral panics around comic books, or sinister emo bands ‘cults’ corrupting our children, history isn’t short of cultural scapegoats.

But there’s a common thread that binds these incidents. A new or ‘alternative’ form of art emerges, prompting the media to run a handful of shock-jock stories on the alleged effects it has on the younger generation.

On the face of it, The Bastion is an ideal target. They’re young, hostile to social norms, and believe that they’re going to save the world. At best, it appears naive — a target ripe for ridicule — and at worst, a dangerous inculcation of Messianic dogma.

There’s a risk that a novel like this lapses into straightforward binaries of good versus evil, old versus young, and progressive versus regressive, with our outsiders struggling against a system rigged against them.

However, The Dark Side of the Sky is a delightfully nuanced and morally complex novel that blurs the boundary of cult and community in a fascinating way, riffing on this ambiguity to disorientate the reader.

Final Thoughts

The Dark Side of the Sky is peak magic realism, managing to capture that elusive balance of real-world relatability and implied wonder that masters of the genre exhibit.

With beautiful, evocative, (and sometimes brutal) writing, Dmitri’s novel captures the magic of the Open Feast with great success. The writing style is ‘literary’ without being too high-minded, and accessible without being too simplistic.

The setting of Puglia does feel frustratingly underutilised — the Open Feast could, conceivably, have been held anywhere — but it doesn’t detract from an excellent tale and may even help reach a wider audience.

In any case, The Dark Side of the Sky is a genuine page-turner that will generate lots of discussion and debate, both at book clubs and online. I’ll certainly be checking out Dmitri’s back catalogue after this one.

Rated 4 out of 5

Luckenbooth (by Jenni Fagan)

Luckenbooth By Jenni Fagan

“There is cheering out on the street. There is dancing. People meet and fall in love. Scuffles break out. They drink far too much. All of life is happening.”

Title: Luckenbooth
Author: Jenni Fagan
Pages:
338
Published by: Windmill Books (Imprint of Penguin, 2021)

In Jenni Fagan’s Luckenbooth, we follow the often squalid, sometimes vivacious lives (and deaths) of its residents.

Decades pass, people come and go, but the curses of dead women remain, echoing through the cold halls and dank stairwells of 10 Luckenbooth Close.

And much like Fagan’s novella Hex, Luckenbooth is a macabre but powerful piece of writing.

A darker shade of Edinburgh

Edinburgh is a magical place, but like all capital cities, there’s a darker underbelly that most are not privy to. 

Fagan’s interpretation of Edinburgh in Luckenbooth is the antithesis to the tourist board presentation. The novel exposes the reader to political corruption, malicious landlords, extreme poverty, and ingrained misogyny. All the things that polite society is aware of but tends to avert its gaze from. 

Luckenbooth is therefore a seething critique of society’s failings. And whilst the novel lacks subtlety at times, with each chapter veering into a different injustice, this feels intentional.

Fagan drags the reader kicking and screaming from the comfort of fiction back into the stark reality of social issues in our own world, only to pull them back in with slick, beautiful prose.

Luckenbooth Close as architectural horror

10 Luckenbooth Close is a place poisoned by the people within and the world without – and throughout the novel, the building morphs and buckles in grotesque ways. 

It’s a dying building, with the spirits of its violent past clinging to the veil between life and death, haunting its residents.

Highly visual, Fagan’s depictions of 10 Luckenbooth Close elicit creation in the mind of the reader. This is especially powerful in latter parts of the novel where the once-packed building stands derelict and (almost) abandoned.

Byam Shaw, Public domain, via Wikimedia Commons

There is a power to abandoned places – in the absence of humanity, they take on new forms and natural life takes over, which Cal Flyn’s excellent Islands of Abandonment explores with real-world locations.

A form of architectural horror, Poe-esque in execution, it’s a memorable setting that will haunt the mind of its readers long after the final page is turned.

Final Thoughts

Is Luckenbooth worth reading? Great pieces of literary fiction unlock the reader’s imagination, transporting them to wild and wicked places they’ve never experienced before. And Luckenbooth is one of those books – if you give it time. 

It’s a bleak affair and not all readers will enjoy this relentlessly dark interpretation of Scotland’s capital. However, Jenni Fagan is a wonderful writer with a marvellous way with words – and it’s a compelling tale for those willing to darken the door of 10 Luckenbooth Close.

If you’re in any doubt, try reading Hex first – it’s a shorter book that introduces you to the writer’s style. But, if you’re a socially-conscious reader with a fascination towards the gothic, you’ll absolutely love this one.

Rated 4 out of 5

Christ on a Bike (by Orla Owen)

Christ on a Bike Book Review
Christ on a Bike Book Review Pin

"Cerys receives an unexpected inheritance but there are rules attached. Three simple rules that must be followed..."

Title: Christ on a Bike
Author: Orla Owen
Pages:
260
Published by: Bluemoose Books (2024)

What would you do if you inherited a significant fortune from a total stranger? How about if you were legally unable to share it with anyone else?

These are the questions that Cerys, the meek and humble protagonist of Christ on a Bike, must wrangle with.

Routinely unnerving, each chapter becomes progressively more uncomfortable as the source of the inheritance comes into question. In fact, Orla Owen’s third novel goes to some startlingly dark places.

It’s a compelling setup, and Christ on a Bike duly delivers dollops of payoffs. This is a brilliant novel – and one that would make for an equally brilliant TV drama.

The perils of greed

Speaking of television, the BBC once ran a TV drama called The Syndicate. This was about friends and families winning big on the lottery and how extreme changes in personal wealth can alter people in unexpected ways.

Owen takes this a step further, with the wealth possessing a uniquely selfish legal agreement.

There are rules attached, one of which is that Cerys cannot share her wealth with another soul under any circumstances. Her finances are audited by a specially-selected financial adviser, and the keepers of the estate have an uncanny ability to sniff out non-compliance.

It’s particularly pertinent that Christ on a Bike is set to release in the midst of an international cost of living crisis. From a readerly point of view, this context has a huge impact on how the novel is read. 

As Cerys’ lifestyle becomes increasingly lavish, with decadent details around the gorging of luxury truffles, and frivolous purchases of expensive branded soap and silky bed sheets, it makes for a physically nauseating read. 

This isn’t a criticism. To the contrary, it’s a remarkable achievement, eliciting a physical sensation of revulsion towards glutton via the medium of print. 

Meanwhile, Cerys’s sister Seren struggles to run a family home and cannot even dream of the excess wealth her sister has inherited by chance. 

And whilst Cerys is a more empathetic individual, Seren is more volatile. The money amplifies these character traits, and the disparity between the two creates an uncomfortable cocktail of guilt and envy.

Narrative & characters

As a writer, Owen positions herself as one who “focuses on the dark and macabre side of family life, the parts that go on behind closed doors.” And never is this more true than in Christ on a Bike, with tension around Cerys’s inheritance poisoning the relationships with her sister.

But the joy with this book is the incongruity between the subject matter and Owen’s own writing style. Her prose possesses a welcoming, approachable whimsy that captures the everyday in a genuinely satisfying manner; not unlike another Bluemoose author, Rónán Hession.

Between a mysterious recurring figure in Cerys’s new life and the feeling she’s being watched, Christ on a Bike retains a tense discomfort throughout. After all, what are the consequences of breaking this agreement? Can she back out of it? What would happen if she tried?

And it’s this dissonance between Owen’s affable style and the macabre narrative that unsettles the reader.

Owen’s novel broaches these questions – plus a number of moral quandaries befitting the biblical theme. And it’s a lot of fun.

Conclusion

Christ on a Bike is another feather in the proverbial cap of Bluemoose Books, and of Owen herself.

Each chapter has been crafted with a finesse that characterises the type of novel that Bluemoose Books publishes.

It’s clean, lean writing that never prevaricates or wastes the reader’s time. As I noted in my review of Heidi James’s The Sound Mirror, it’s clear that the team at Bluemoose have some remarkable editors on staff.

Owen is a fantastic writer too, which makes it easy to recommend Christ on a Bike to almost anyone. This is a novel that’s well paced and contains a darkly compelling narrative, with a divine writing style.

Rated 5 out of 5

The Art of Escapology Book Review (by Nicola Ashbrook)

The Art of Escapology Book Review Featured Image

Ever had that feeling of just wanting to run away? To disappear and start over, leaving your troubles behind like shed skin.

If so, The Art of Escapology should be one of the next books on your reading list.

From a receptionist fleeing the mundanity of day-to-day life, through to darker topics of domestic abuse, The Art of Escapology sweeps the reader through a series of compelling vignettes on the theme of escape.

Small but mighty, it’s an 88-page anthology of highly impactful writing.

Flash fiction is a remarkable medium of storytelling.

Humble, yet radical, it’s the panacea to a publishing landscape dominated by 800-page epics and a movie industry shackled by sequels and reboots. In as little as two paragraphs, a talented writer can impart a character’s entire life story and challenge a reader’s worldviews.

Nicola Ashbrook’s The Art of Escapology is no different. Punchy and perfectly paced, each story subverts the reader’s expectations (sometimes multiple times) and delivers some gut-wrenching twists. 

Personal highlights include Moving Homes, Giants of the Sea, Thor is to Bifrost as I am to The Mersey Gateway, The Sparkly Horse Story, Run Ratty, Run, Delphine’s Decision, and Praying for Dad.

Escape, or the need to escape, is a powerful emotion, and it’s partly because of this that these stories succeed – the other part being that Ashbrook is an excellent writer.

Conclusion

Occasionally witty, often thrilling, and always thoughtful, The Art of Escapology is an elegant collection of flash fiction that should be on every short story lover’s bookshelf.

There’s a brilliance to each narrative and it’s a genuine pleasure to read. Don’t sleep on this one.

Rated 5 out of 5

The Battle That was Lost Book Review (by Michael S. Jackson)

The Battle That Was Lost by Michael S Jackson Book Review
The Battle That Was Lost by Michael S Jackson Book Details

Review contains affiliate links to bookshop.org. Purchasing the book through these links provides the blog with a small commission at no additional cost to you.

The Battle That Was Lost is the latest book in Michael S. Jackson’s Ringlander series. 

A 50ish page novella, this entry details a battle that has significant ramifications for the narrative of Jackson’s full-length fantasy novel, Ringlander: The Path and the Way.

On the surface of it, how interesting could a novella about a battle be? Swords presumably clash, armour is rent, and people die. Par for the course. And let’s be honest – the most memorable parts of fantasy fiction tend to be the character moments and world-building.

Fear not, dear reader. The Battle That Was Lost strikes a good balance between character and world-building elements. The frenetic fighting is punctuated with flashbacks that help steady the pace of the writing, giving the story both time and space to breathe.

This is another impressive outing from Jackson, and well worth your time if you’re into fantasy fiction.

Discontent is brewing in the world of Rengas.

The occupying Bohr faction faces a rebellion in the form of the native Tsiorc, led by Tactician Laeb. And whilst this civil war plays out in more detail in Jackson’s full-length novel, The Battle That Was Lost instead focuses on the smaller, but nonetheless important frontier of Drakemyre.

Thugs for hire, Qor and Staegrim – the latter a proud bastard – prowl the outskirts of the battle, moving between the lines of troops in pursuit of their target for assassination.

The banter between the two is a winning formula; it’s authentic and genuinely amusing. 

They share an unconventional relationship; friendly, but wildly antagonistic. Each exchange is tense, yet amusing – it’s a compelling paradox that keeps the reader involved in the narrative, and it’s this relationship that forms the heart of The Battle That Was Lost.

But there’s plenty more at stake here than the result of a single pitched battle. After all, this is a world of political intrigue, supernatural forces, and tactical minds. This confrontation between the Tsiorc rebels and the Bohr could determine the future of the continent.

The Art of the Novella

The publishing industry is not short of fantasy novels.

People are constantly on the lookout for the next The Lord of the Rings or Game of Thrones, and because of this, fantasy novels tend to be fairly lengthy in an attempt to replicate the epic scope of the genre’s more iconic titles – whether they justify the length or not. 

The novella is therefore a brilliant medium for readers to enjoy the genre. It’s a challenging style that forces an author to be clinical with their prose, including only the best of their writing.

Indie Publisher Interview

I recently spoke about short-form writing with Andy Leach of subscription-based publisher Seventy2One.

And in a world where some fantasy authors simply want to write 7-book epics, it’s refreshing to see a writer embrace the short form for a change.

Jackson’s a good writer too, and this novella is no exception. It’s witty, amusingly crude in parts, and tells a good story in a concise manner.

It’s an accessible means of introducing new readers to a larger world, allowing them to dip into a mythos without the need to commit their time and patience to a larger novel. Plus, The Battle That Was Lost also includes the first three chapters of Ringlander, Jackson’s full-length novel, to give the reader a taste of what’s to come. 

From the author’s point of view, it’s great marketing for their larger novels. From the reader’s point of view, they get a shorter, more concise snapshot of what to expect from the author’s larger books, as well as their writing style.

Flashbacks to the Future

Flashbacks have a sketchy reputation in fiction, both on-screen and in books. And for good reason.

Too often, they interrupt the pacing of narratives, risking the alienation of a viewer or reader who is thrust into a time or space they don’t immediately recognise. If the flashback doesn’t add to the present narrative, either plot-wise or thematically, it can be jarring.

Fortunately, this isn’t the case in The Battle that was Lost. Jackson uses the technique in a really smart way, with each flashback foreshadowing future events whilst creating a sub-narrative of its own. These are equally compelling as the battle, helping to switch up the full-tilt pace of the titular battle.

The flashbacks make this novella far stronger, and also serve as a window into the events of Ringlander: The Path and the Way.

Book Review

Read the full Tales from Absurdia book review of Ringlander: The Path and the Way

Conclusion

The Battle That Was Lost is another solid entry into Jackson’s expanding world. It’s an approachable novella that reconnects readers already familiar with the world of Ringlander, whilst serving as a solid entry point for new readers.

It’s witty, features some brilliant battle sequences, and fleshes out the existing lore in a really satisfying way. The inclusion of maps is also a brilliant addition – every fantasy author should do this. It’s a great way to situate the events of the book, whilst still encouraging the reader to use their imagination.

Sure, it won’t change the minds of readers who don’t enjoy fantasy, but for those who do, The Battle That Was Lost – plus its full-fat sibling Ringlander – offers readers a compelling world, a strong narrative, and a bevy of unique characters.

Rated 4 out of 5

Full disclaimer: A review copy was kindly provided by the author and publisher in exchange for an honest review.

Ghost Signs Book Review (by Stu Hennigan)

Ghost Signs Book Review Header

Review contains affiliate links to bookshop.org. Purchasing the book through these links provides the blog with a small commission at no additional cost to you.

Ghost Signs, Stu Hennigan’s debut publication, is a non-fiction book set in Leeds during the first UK lockdown of 2020, following the arrival of COVID-19.

Ordinarily a librarian, Hennigan volunteered to be a delivery driver for the local council, providing fresh food for families shielding or economically impacted by the lockdown. This took him to some of the most impoverished places in the entire country.

A desperately sad read, Ghost Signs is an eye-opening account of poverty in the 5th biggest economy in the world, whilst highlighting the crippling human cost of an absence of sensible domestic social policies.

It’s also a shocking indictment of the lack of vision from 12 years of successive Conservative governments.

It’s March 2020. And with much of the UK in lockdown due to rising COVID-19 infections, a Leeds City Council van trundles through the darkened streets of the pandemic-hit city.

One of the poorest places in the UK, 24% of Leeds’ neighbourhoods are in poverty. Furthermore, 29% of the city’s children under the age of 16 are living in absolute poverty*.

In response to the pandemic, the council has mobilised the Food Distribution Centre to ensure that the extremely vulnerable and their families have access to food, drink, and sanitary products. Over the course of the first three to four months of the initial lockdown, Hennigan chronicles his experiences within the local community, revealing the harsh impact of both the pandemic and years of austerity-led economic policies.

If social conditions were bad prior to COVID-19, it’s far worse now. On the doorstep, Hennigan witnesses emaciated 30-year-olds who haven’t eaten in days, socially anxious individuals fearful of answering the door, and victims of crippling drug addictions.

Days and weeks blur into one another, the same issues cropping up on the doorstep. Sallow-faced parents delighted to see a food package, their children celebrating the arrival of the delivery drivers. The volume of people unable to support themselves is stark, and tremendously upsetting.

One particular exchange with an eight-year-old girl stands out:

“Is that FOOD? she asks when she sees the bags
I nod.
ALL of it?
I nod again.
For US? She points to herself, eyes wide.
Yep, all for you.
YAYTHANKYOUTHANKYOUTHANKYOU!...

… I’ve got tears streaming down my face on the way back to the van… …her reaction to the food is so sad that it’s unbearable. Months later, I still won’t be able to recall the event without welling up. It’s a moment I’ll remember as long as I live.”

And this is just one man’s story in one city. 

Multiply this narrative to the numerous volunteers at Leeds’ Food Distribution Centre – then scale it up further to encompass the entirety of the UK – and it paints a truly desolate picture.

*Absolute poverty is defined by the United Nations as “a condition characterised by severe deprivation of basic human needs, including food, safe drinking water, sanitation facilities, health, shelter, education and information.”

The Road to Armley Gaol

Ghost Signs has drawn favourable comparisons with George Orwell’s excellent The Road to Wigan Pier. This isn’t a surprise – both texts are investigations into poverty in the North of England, and very effective at what they do.

However, there is one key difference. Whereas Orwell’s text feels more journalistic and theoretical, Ghost Signs is more a memoir of a frontline worker’s direct experiences. Orwell is an outsider looking in whilst Hennigan is a local person stepping up to serve his community in a time of need.

Starving children, elderly people in tears due to loneliness, and individuals with crippling depression fearful to leave their own homes… these are tangible stories about real people.

The authenticity of Hennigan’s writing style, and of course the dreadful conditions that people live in, are what makes this book so difficult to read in parts. But they’re also the reason that Ghost Signs needs to be a widely read book.

The Human Casualties of the Pandemic

Plenty of ink has been spilled over the UK Government’s handling of the pandemic. 

Times journalists Jonathan Calvert and George Arbuthnott published the seminal work, Failures of State. An excoriation of the inaction of government policy, the text examines policy-making during the pandemic, as well as the PR and Comms that came out of Number 10, Downing Street. It’s well worth a read.

But if Failures of State was the post-mortem of the Government’s handling of the COVID-19 pandemic, Ghost Signs is the funeral pyre. The former details policy failures, whilst the latter chronicles the human consequences of Whitehall’s prevarication and harmful years of austerity.

Still, there are moments of affirming humanity. Smalltalk on the doorstep and brief moments of brilliantly droll Northern humour in the face of adversity punctuate the misery. And the fact that a volunteer service like the one Hennigan took part in can be set up and actioned so quickly, speaks volumes about the ethical character of the nation.

Conclusion

Ghost Signs is less a book about the pandemic, and more a commentary on successive governments’ inability (or unwillingness) to tackle absolute poverty in one of the richest countries in the world.

It’s a glimpse into the palimpsest that is the UK’s socio-economic landscape. One where working people bear the brunt of adversity, whether it’s a pandemic or a bruising cost of living crisis, whilst the millstone of economic inequality weighs ever more heavy as the months and years go by.

Though a highly uncomfortable read, Ghost Signs is a very well written book. It’s an honest, hard-hitting contribution to public discourse and a stark wake-up call for the electorate.

Rated 4 out of 5

Ghost Signs is available in paperback (affiliate link) at bookshop.org, or directly from the publisher at Bluemoose Books.

Full disclaimer: A review copy was kindly provided by the author and publisher in exchange for an honest review.