The Great Big Book Festival Survey 2025 is now live, featuring insights from over 120 UK readers. Read now

A Conversation With… Dan Spencer

Dan Spencer Cat Lover
Dan Spencer Cat Lover

This article contains affiliate links to bookshop.org. Purchasing the book through these links provides the blog with a small commission at no additional cost to you.

Dan Spencer is a poet and debut author of the novel, Cat Lover.

Recently, I spoke to Dan about his feline-themed novel, literary inspiration from across the globe, and of course some book recommendations. He also offered some brilliant, and quite extensive, advice for aspiring novelists.

I hope you enjoy the interview, and if the book tickles your fancy, do consider picking up a copy and supporting a fellow writer.

Hey Dan, thanks for taking the time to talk to Tales from Absurdia. It’s a delight to have a fellow cat lover on the blog!

First and foremost, it would be awesome to find out a bit more about yourself and your journey into publishing.

Hi, John! Thanks for the chance to chat about the book. 

So, it’s been a longish road to my debut. I studied Creative Writing as an undergraduate at UEA and on the master’s at the University of Glasgow. I then began publishing pieces in literary journals (a lot of flash fiction, prose poetry and autofiction).

As more pieces were published, I began to find journals that my work chimed with and to gain an understanding of what editors liked. Meanwhile, I still found it hard to complete what I’d call a ‘successful’ novel. 

Next, after over ten years of living in Glasgow (My wife and I are from southeast England), our family made a move to Osaka. Whilst working there, I would write novels in Muji notebooks during my combini lunch breaks.

The first of these didn’t get published, but it got me a handful of interested agents. The second one I started was Cat Lover. When we returned to the UK, during Covid, I sent it out and, this time, one of those previously interested readers (the lovely and perceptive Cara Lee Simpson at SLA), became my agent and got me signed with Atlantic Books.

I was so lucky that my editor there, Kate Ballard, also really ‘got’ the book. It’s a dream come true to be with Atlantic. I’ve genuinely loved them since their early days when they published In a Strange Room by Damon Galgut, which was a massively important book for me.

Do tell me more about Cat Lover.

It’s such a curious premise, and the preview in Gutter Mag left me both amused and a little unsettled at the same time!

What should readers expect from your novel? And where exactly did the concept come from?

I’d say it’s a little weirder than your typical ‘cat novel’, though it does look closely at a cat’s experiences and behavior, so cat lovers will find that there.

I’d call it a thoughtful, character-led book that aims to place you right inside the psychology of Ivy and Berry, a doctor and her pet cat, who are struggling with a new man in their lives.

One inspiration was my father’s cats. My parents separated when I was young, and it seemed like my dad’s cats saw a more intimate side of him than I did. They were there in those quieter moments when my brothers and I weren’t. In Cat Lover, Berry observes other characters in their more private moments. I think ‘intimacy’ is a key theme of the book.

I’ve also said that I began writing the book in Japan, but it’s set in Glasgow, so one reason for writing was to connect with and reflect on that city. The story takes place over one winter in a tenement in Glasgow’s West End. The characters and surroundings are unique to that world.

I’ve also said that I began writing the book in Japan, but it’s set in Glasgow, so one reason for writing was to connect with and reflect on that city.

The story takes place over one winter in a tenement in Glasgow’s West End. The characters and surroundings are unique to that world.

"I think 'intimacy' is a key theme of the book"

I think it’s also relevant that this isn’t the first novel I pitched to agents (let alone the first I’ve written). So, when I came to write Cat Lover, I was making not my ‘forever novel’ but one story that engaged me. That’s part of why it worked (for me at least), because it developed as a focused and constrained story.

Which writers are you enjoying the most right now? And who are your big influences?

I’m trying to increase my reading of recent literary fiction. At the moment, I’m getting into Bryan Washington. His UK publisher is also Atlantic Books (though I don’t know him).

I’d already noticed him as a very cool, new, lit fic writer on a publisher that I loved, but I’m finally reading him. Memorial is set partly in Osaka, so as an erstwhile Osakan, it’s an easy win for me. 

In terms of influences, I’ve mentioned Galgut. I can see the traces of so many writers in my work (Muriel Spark, John Berger, Nathalie Sarraute, Maguerite Duras, Italo Calvino, Lydia Davis, and many more).

Murakami’s novels gave me permission to write whatever I wanted. Modiano is a writer I’d like to read more and more of and to move towards in my own style.

Yukio Mishima is a huge influence. In fact, Cat Lover takes its structure from The Sailor Who Fell From Grace With The Sea, which is also a weird love triangle within a constrained time period and setting. A Cat, a Man, and Two Women by Junichiro Tanizaki was also an influence.

Do you have any writing rituals or habits that help you stay creative?

Oof, there’s so much to say. But I can give a few random pointers.

One: Write what interests you. I mean, always write only what feels compelling to you. I handwrite a full first draft start-to-finish in a notebook. If I begin to feel there’s no impetus to what I’m writing, I stop and pursue a different thread. 

Two: See it all as a long, ongoing process, because (at least in my experience) it’s often two steps forward and one step back.

A case in point is finding an agent. When I first tried to publish a novel, I used the Writers & Artists Handbook (with a year’s subscription), as well as Google, and kept a spreadsheet about what I’d sent and when.

Ultimately, I had about 70 rejections! But from this I got a handful of quite interested agents I could try next time. These were the first people I sent Cat Lover.

Specific to finding an agent, I’d say you should find someone who’s growing their list, so a newer, hungrier agent. By now, I’ve been in contact with my agent for about four years, and, in that time, she’s also been developing as an agent whilst I’ve been growing as a writer. 

Also (and I’m not great at this), whatever happens with your writing, you’ve got to live your life.

And finally, what are you currently reading?

I’ve mentioned Bryan Washington. Aside from that, I’ll just have to list the pile of books by my bed, all of which I should have already finished, if I could only stop looking at my phone.

Thanks so much for talking about the book, John!

Cat Lover, published by Atlantic Books, is available in paperback and ebook.

You can pre-order your copy from all good bookstores, or order directly from the publisher to support an indie publisher.

Your Complete Guide to Stratford Literary Festival

Stratford Literary Festival Your Complete Guide
Stratford Literary Festival Your Complete Guide

Content contains affiliate links to bookshop.org. Purchasing the book through these links provides the blog with a small commission at no additional cost to you.

Home to Shakespeare (quite literally — his home and birthplace is in the heart of the town), Stratford-Upon-Avon is a beautiful town with a rich literary history.

It’s appropriate that the home of the Bard is also host to Stratford Literary Festival, an intimate affair featuring some of the biggest names of today.

Crucially, the festival also showcases the writers of tomorrow. I’m told that Bonnie Garmus, author of Lessons in Chemistry, once appeared in front of an audience of 30ish festival-goers before her book hit bestseller status. 

May is already a packed period for book festivals across the UK — including Hay-on-Wye towards the back-end of the month. And so get a better idea of what to expect, I’ve produced a brief guide on what to expect during your time in Stratford-Upon-Avon.

The lineup

I wrote this in my Stratford preview article, but one of the truly impressive things about Stratford Literary Festival is how focused it is, and how much they pack into just four days. 

In fact, with Stratford being just four days — and reasonably priced (starting from £8) — you could feasibly make a long weekend of your trip, and attend a bunch of events.

The festival attracts a range of big names, previously hosting household literary names including Sir Michael Morpurgo and Maggie O’Farrell, plus popular broadcasters including Jeremy Paxman and Michael McIntyre. 

In 2025, Dame Jacqueline Wilson featured in at least two events, as well as legendary British comedian and author Charlie Higson — famed for the Fast Show and Young Bond book series. 

And as a parent of young children, I was also really encouraged to see a packed kids’ schedule, including the always-energetic Maz Evans (who has that delightful knack of getting a young audience going).

Location

Stratford Literary Festival is hosted at the Crowne Plaza Hotel — and it’s actually a great place for the festival. 

I’ve done hotel-based events before, and they can sometimes feel impersonal and a little clinical.

But that simply isn’t the case with Stratford. They’ve carefully selected an already spacious venue and transformed it into a bona fide bookish spot.

From the lovely pop-up bookshops — plus a guy called Adam on a typewriter who can write you a personalised short story based on three words, one name, and just five minutes of rattling on a typewriter — it’s all great fun. 

The hotel has multiple on-site bars and cafés, plus a lovely green space out back, right next to the River Avon. It’s private, cosy, and a relaxing place to have a drink and a natter between friends. It’s also just a short jaunt from the town centre.

Places to stay in Stratford-Upon-Avon

Stratford-Upon-Avon is not the easiest place to get to by public transport — with a couple of lengthy connections via train — so you may wish to stay the night. 

Fortunately, there are plenty of places to stay in Stratford-Upon-Avon, depending on your budget and need.

Crowne Plaza
The venue itself is convenient, though certainly on the pricier side. However, I am reliably informed that they make a mean breakfast.

Premier Inn
Around the corner is also a Premier Inn (probably more my pace). Close to the venue, whilst also central, it’s probably the best spot for cost and convenience.

Travelodge
There’s also a Travelodge a little further out, though only a short drive away, if you’re looking for a stay under £100 in Stratford. 

Pen & Parchment
A non-chain, and a bit of a wildcard, is a sweet country pub very near the Crowne Plaza called the Pen & Parchment. It looks to be a cosy spot, plus you can eat there. 

Airbnb
And of course, for something completely different, you can always check out the local Airbnbs. I found a handful of interesting spots, including a boutique apartment, a stunning, modern flat, a really smart loft conversion and 3) a quirky cottage. Other places are, of course, available.

Places to eat

In Summary

With a supremely varied guest list, including award-winning writers, broadcasters, comedians, and artists, Stratford Literary Festival is a great place to be. 

It’s also excellent value, with talks starting from £8 (which for an hour of anyone’s time is pretty decent value — but a writer you love? Bargain).

Stratford itself is really pretty; it’s part-historic, part modern. There are plenty of old buildings — including Shakespeare’s birthplace — juxtaposed with modern shops and conveniences too. And with it being a small town, you can walk between most places, which is always great.

If you’re into anything bookish, then Stratford’s well worth a stop by. 

Find out more at
https://www.stratfordliteraryfestival.co.uk/