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Oxford Literary Festival 2025 — Day One Review

Oxford Literary Festival 2025 Day One
Oxford Literary Festival 2025 Day One

In what is becoming somewhat of an annual tradition, I was honoured to be invited to Oxford Literary Festival for the second year running. So firstly, a huge thanks to the organisers for reaching out and giving this independent critic access to the festival.

Day one of any big event always has a buzz about it, but this year felt particularly lively. And not just on account of some beautiful, sunny spring weather. The city was alive with the hum of conversation and the Sheldonian Theatre was packed out, which was particularly great to see in the wider context of the cost of living squeeze.

Here’s a brief overview of my experiences on the first day, which should give you a glimpse into what to expect for the rest of the week, and beyond.

Groove Armada-turned-farmer

The day kicked off in the Sheldonian Theatre, with Compassion in Farming – a panel discussion chaired by Kate Humble. The panel consisted of BBC Dragon Deborah Meaden, Groove Armada-turned-farmer Andy Cato, and founder of Compassion in Worldwide Farming Philip Lymbery.

Compassion in Farming panel at Oxford Literary Festival
“Business has a part to play [...] some [business owners] ‘get it’, but many others argue that they need to diversify and still provide low cost produce for the consumer"
Deborah Meaden

Whether you’re a proponent of veganism, a vegetarian, or even just mildly curious about where your food comes from, it was a legitimately interesting talk. Business, farming, and activism were all at the table here – and all three were largely in agreement that factory farming has to end, and consumers need more information in order to make better-informed decisions.

There’s a broader theme of ethical farming running through the festival this year, spearheaded by Miriam Margolyes’ lecture (more on that later).

Liz Truss, ISIS Brides, and Satire

Next, I hot-footed over to Brasenose College’s Amersi Lecture Theatre for the first installment of Festival Debuts, featuring Nussaibah Younis and her debut novel, Fundamentally

Joining her was Jonathan Coe, seasoned satirical novelist of Middle-England and, more recently, The Proof of My Innocence – a murder mystery set during the brief days of the Liz Truss government.

It’s a curious thing, hearing a fiction novel about ISIS brides described as Bridget Jones-esque. But then again, Percival Everett managed to produce an outstanding comedic work of fiction in The Trees – a murder mystery about lynching mobs and white nationalism.

I’m yet to read either Younis’ or Coe’s works, but that’ll change pretty sharpish after this talk – and once I’ve whittled down that pesky TBR!

Nussaibah Younis and Jonathan Coe at Oxford Literary Festival
Nussaibah Younis and Jonathan Coe discuss Fundamentally and The Proof of My Innocence, both now out in hardback.

Miriam Margolyes’ Memorable Musings

Finally, I made my way back to the Sheldonian Theatre for the annual ‘Compassion in World Farming Peter Roberts Memorial Lecture’, featuring Miriam Margolyes. 

Now running for five years, this is an annual tradition where a speaker delivers an informal lecture on a topic in tribute to the late farmer and campaigner. This year’s was Compassion for all Life which focused primarily on farming, but also addressed Israel’s continued bombing of Gaza, and Hamas’ continued holding of hostages.

Margolyes’ hallmark irreverence was, as it often is, a mixed bag. She’s undeniably witty, and unafraid of producing a barb or three towards her political opponents. She was particularly sharp on Farage, foie gras, and the Labour Party’s increasingly confusing approach to policy making. 

Though a remark on how low welfare farming leads to less tasty food — which resulted in a bizarrely inappropriate segue about rape diminishing the enjoyability of sex — was received with discomfort in the room. 

In spite of this, it was an entertaining hour with Philip Lymbery thankfully on hand to keep the discussion (mostly) on topic.

The day as a whole was pretty stunning. As I wrote in my guide to visiting Oxford Literary Festival, it’s a terrific place to be for any book lover and/or follower of current affairs.

There’s also a solid balance of established writers and debut novelists — and realistically, something for everybody. I’ve selected my top picks for the festival, so check them out. And if you’re already planning to be Oxford-bound, let me know events you’re most excited about. 

Oxford Literary Festival runs until 6th April. You can read the full listing of events online here and even download a handy, printable pocket guide [PDF].

The Derwent Press Launches New Midlands-Based Literary Magazine

Interview with Arden Boshier, The Derwent Press
Interview with Arden Boshier, The Derwent Press

On Friday 28th Feb, 2025, the team at The Derwent Press launched their debut issue. Featuring over sixty pages of art and writing from Midlands-based creatives, it’s something I’m pretty excited about.

As a proud Midlander, I’ve been following this for a while, so off the back of the launch, I reached out Arden Boshier, editor at The Derwent Press to find out more.

If you like what you read, do consider buying a copy of the first edition for as low as £1, to support an indie press.

Congratulations on the recent launch of The Derwent Press! You must be delighted!

Do tell us more about the ‘zine. What should readers expect from it?

The magazine showcases a real mix of striking work, whether it’s dreamlike stories inflected by horror, lucid character portraits, modern legends, or crisp poems pointing you towards a particular moment in time, as well as some truly beautiful artwork.

What ties it together is a connection to the Midlands in setting or character background, which as you’ll see can look quite different for different people. It’s really an opportunity to showcase just how varied and wonderful this area is.

I’d love to know a bit more about yourself.

What’s your role at TDP, and why did you decide to produce a Midlands-based zine?

I’m the Editor of The Derwent Press.

I love literature and I’m fascinated by publishing but I realised quite quickly after graduating that so much of the publishing world is based in London, and I think that really narrows down options for what gets seen.

I loved growing up in the Midlands and I always miss it when I’m away so I wanted to showcase a bit of where I’m from. It really struck me when I was reading D. H. Lawrence’s The Rainbow that I found it so charming to have places I knew mentioned so it was kind of about sharing that feeling, too.

Out of curiosity, what goes into getting a literary magazine off the ground?

What are the things that need to happen, before you release it to the world?

One of the good things about magazines is that there’s a lot of flexibility.

You can make it as straightforward or as complicated as you like. As a team of one, I wanted a simple, elegant way to present writing and art that I really loved and believed in.

This involved creating a social media profile, getting a bit of an audience, putting out the call for submissions, selecting submissions, editing the magazine (including copyediting and design: this is the most complicated part), getting a proof copy to check and have your contributors sign off on, setting up a digital sales platform, sending it to print, and then publication.

You will want to look at magazines you admire for design inspiration and think about what your priorities are, what you’re trying to convey.

And finally… what are you reading right now?

Steppenwolf, by Hermann Hesse – I’m very big on modernists at the moment.

The first edition of The Derwent Press is available to purchase now, starting at £1 (digital) and £5 for a fully-printed version.

My Seven Most-Anticipated Events at Oxford Literary Festival 2025

Seven hotly anticipated events at Oxford Lit Fest 2025

Oxford Literary Festival is back for 2025, kicking off on 29th March and running through to 6th April.

As always, there’s a genuinely varied lineup from established literary figures to debut novelists, and academic writers to childrens’ authors. Following on from last year’s festival, I’ll be there for Tales from Absurdia to cover the opening weekend.

The event is once again packed with big names, including former Children’s Laureate Cressida Cowell, Miriam Margoyles, and Deborah Meaden — who heads a fascinating-looking panel on compassion in food and farming.

And whilst there is plenty to get excited about, these are my seven most-anticipated events for Oxford Literary Festival in 2025. You can explore the full festival programme here.

7) Creating Fiction in Troubled Times

Brian McGilloway talks to Jane Casey

Saturday, 29 March 2025 | 2:00 pm (1 hour)
Weston Lecture Theatre
£8 – £15

Part of the Crime Fiction portion of the festival, Creating Fiction in Troubled Times features NYT bestselling crime writer Brian McGilloway and Jane Casey. Casey, who is also a crime writer, is the winner of Irish Crime Novel of the Year for A Stranger in the Family.

I’m particularly excited to get their perspectives on the morality and ethics of creating fiction loosely based on contemporary events. This stems from my concerns around the number of pandemic-related books that popped up during the COVID-19 pandemic.

6) The Possibility of Literature

With Peter Boxall

Saturday, 29 March 2025 | 2:00pm (1 hour)
Oxford Martin School: Seminar Room
£8 – £15

Peter Boxall

Peter Boxall, the Goldsmiths’ Professor of English Literature at the University of Oxford, will be discussing his latest book The Possibility of Literature. A collection of essays new and old on the politics of the novel, Boxall will examine the various social and cultural conditions of the novel, from Proust’s ideas of beauty to the fallout from 9/11.

According to his University of Oxford profile, Peter is “interested in the political role of the literary imagination in helping to create new realities.” — and I’m super excited about this one.

5) All the Rage: Why Anger Drives the World

With Josh Cohen

Saturday, 29 March 2025 | 6:00pm (1 hour)
Oxford Martin School: Seminar Room
£8 – £15

Josh Cohen

Why are we so angry? Fortunately, Professor Josh Cohen is on hand to explain.

A psychoanalyst and professor of modern literary theory at Goldsmiths, University of London, Cohen explores the idea that anger is a primary feeling and ultimately maps itself onto every facet of our life, from road rage to the ever-widening political divide.

I’m particularly interested to get his perspective on how we deal with the intellectually dishonest political and plutocratic figures of our time (see Elon Musk), who seek to enrich themselves off the back of division.

4) Crafting Immersive Worlds

With Samantha Shannon, in conversation with Kate Dylan

Saturday, 5 April 2025 | 06:00 pm (1 hour)
Pusey House: Chapel
£8 – £15

Samantha Shannon needs no introduction to fantasy readers, as author of the bestselling Bone Season series and the book I plan to read but fear its length, Priory of the Orange Tree. Joining her will be Kate Dylan; a video editor by day and author of Sunday Times Bestseller, Until We Shatter, by night.

Crafting Immersive Worlds is a delightful opportunity for fans of Shannon and Dylan, and the genre more broadly, to uncover the art of immersive world building and explore the creative impulses behind their works.

3) Oxford Debate: You Ask the Questions

With Simon Heffer, Marina Purkiss, Zoe Strimpel and Adele Walton, chaired by Yasmin Alibhai-Brown

Thursday, 3 April 2025
12:00 pm (1 hour, 15 mins)
Sheldonian Theatre
£8 – £20

The politics panels at Oxford Literary Festival are always pretty special. They typically have great guests and timely discussions — and audience participation is always encouraged, which is brilliant.

Last year, I attended one chaired by Yasmin Alibhai-Brown, and featuring guests including author Grace Blakeley and journalist Peter Oborne — and it was genuinely both insightful and entertaining.

Likewise, this years’ panels also look excellent. I’ve picked out one in particular, with guests including Marina Purkiss and Simon Heffer. Prior to the talk, ticket holders are encouraged to email questions for the panel on key topics in the news right now, whilst questions on the day will also be put to the panel.

2) Breaking Boundaries: Queering Sci-Fi and Fantasy

With L R Lam, Tasha Suri, C L Clark and Sarah Rees Brennan

Tuesday, 1 April 2025 | 06:00 pm (1 hour)
Trinity College: Garden Room Levine Building
£8 – £15

Oxford is a place of tradition, and its two most famous fantasy authors are CS. Lewis and J.R.R. Tolkien — both excellent writers and world-builders, and two of my own personal favourite authors.

But more recently, we’ve seen an explosion in romantasy (a portmanteau of romance and fantasy), as readers seek more full-blooded depictions of romance in their fictional worlds.

This event features a discussion between award-winning authors L R Lam, Tasha Suri, C L Clark, and Sarah Rees Brennan, who will explore how queerness and new representation are reshaping sci-fi and fantasy narratives.

And taking place in the home of traditional fantasy, I think this will be a wonderful, interesting discussion.

1) Orbital

Samantha Harvey talks to Ben Lawrence

Sunday, 6 April 2025 | 10:00am (1 hour)
Sheldonian Theatre
£8 – £20

Samantha Harvey

Whilst I was later to the party than most, only reviewing Orbital earlier this year, I’ve made it no secret that Samantha Harvey’s sci-fi novel is one of the best books I’ve read in years. It’s a beautiful blend of literary brilliance and poignant observations on our fragile mortality set against an endless universe.

So, naturally, her talk at Oxford Literature Festival is easily one of my most anticipated events at the festival. This year, she’ll speak to Ben Lawrence, commissioning editor at The Telegraph; the festival’s main sponsor.

Last year’s Booker Prize-winner Paul Lynch also spoke in the iconic Sheldonian Theatre about his award-winning novel Prophet Song, and it was terrific. It’s a stunning location, appropriately grand for the literary giants of our time, and yet still a beautifully intimate setting.

Orbital is a strong recommendation from me, and so is this event.

Oxford Literary Festival runs from 29th March to 6th April. Check out the full programme of events here, or simply download their handy Pocket Guide to take with you.